Objects, Assemblages and Printmaking
Sarah Cliff’s practice spans printmaking, drawing, and object-based installation. Her work engages with the subtleties of humour, irony, and the darker undercurrents embedded within history, domesticity, and the corporeal. Printed surfaces are often juxtaposed with crafted or discovered objects, forming installations that converse with historical and aesthetic discourses.
Dead Horse, From The Ballad of Gibbet Hill, 2019
Sarah Cliff 